Elizabethans & Jacobeans

Theatre that results in contemporary interpretations of Elizabethan and Jacobian plays that highlight the power struggles of turning away from might is right, politically, and sexually.

Shakespeare’s Tempest On The Gold Coast

Josey De Rossi

I have just viewed a great production of Shakespeare’s Tempest. I don’t say that lightly since the last time I ...

As You Like It

Josey De Rossi

As You Like It, directed by Jessica Ruano, rewrites Shakespeare’s comedy by omitting the sub-plots of the play involving the comic characters of Touchstone, Corin, Silvius, Phoebe and Audrey. Her re-arranging and editing of Shakespeare’s narrative ensures that the play is re-written as a tragedy, resisting the redemptive themes in the original As You Like It text.

The Spanish Tragedy

Josey De Rossi

Lazarus Theatre productions never fail to grab you from the moment you enter the theatre. You step through into a world of mayhem as if stepping through an invisible membrane that divides you from where you've come. At the Blue Elephant Theatre.

King Lear

Josey De Rossi

Magnificent from the outset: I was gripped viscerally and imaginatively from the moment the thunderous music catapulted Lear’s savage kingdom onto the stage.

Dido, Queen of Carthage

Josey De Rossi

There’s something quite brilliant about the way Ricky Duke deals with the realisation of poetic language in Dido Queen of Carthage. For me, he seems to work with the metaphors that characterise mythical places and peoples with a boldness of approach that is quite breathtaking.

Don Carlos

Josey De Rossi

  Genre: Drama Venue:  Blue Elephant Theatre, 59a Bethwin Rd, Camberwell, SE5 0XT     Low Down   Lazarus Theatre’s ...

The Tempest

Josey De Rossi

Antic Disposition’s Tempest marks the 400th anniversary of the first recorded performance of the play before James I at Whitehall Palace in 1611. While that venue now no longer exists, the Middle Temple Hall’s direct link to another first performance of a Shakespearean play, Twelfth Night, in 1602, is crucial for maintaining historic and artistic links between the 2011 production and the Elizabethan theatre.