Ibsen
Theatre of Realism
Ghosts
BY
Josey De Rossi
Firstly, Enoch’s adaptation of the play’s original setting of the “landscape of a fjord” to Scotland’s Orkney Islands, seems to allow director, Anna Fox, to retain Ibsen’s highly dramatic intention to create the effect of a misty backdrop out of which the actors step onto stage: either into the main setting of the conservatory in the Alving house or in what appear to be shadowy, secretive places around it.
